A Japanese tourist takes refuge from a rainstorm inside a once-popular movie theater, a decrepit old barn of a cinema that is screening a martial arts classic, King Hu's 1966 "Dragon Inn." Even with the rain bucketing down outside, it doesn't pull much of an audience -- and some of those who have turned up are less interested in the movie than in the possibility of meeting a stranger in the dark.

Drifter Axel North has just arrived in New York City, having traveled from city to city throughout the country. Given the name Charlie Malick as a contact by an acquaintance named Ed Faber, Axel is able to get a job working as a stevedore in Charlie's gang on the dockyards. Little did Axel know that Charlie is corrupt, requiring payola for that job, and is a racist. It is solely because of the color of his skin that Charlie hates his fellow gang boss, Tommy Tyler, a black man. It is also because he can see that Axel is a little wet behind the ears that Tommy tries to befriend him to get him out from under Charlie's thumb. Due solely to the reason that he is a drifter, Axel is slow to warm and open up to Tommy, eventually providing some basic information: that he is originally from Gary, Indiana, that his real surname is Nordmann, and that the only person he has ever really loved in his life was his older brother Andy, whose death exacerbated the already strained relationship he has with his police officer father. Axel is even slower to warm to the idea of a girlfriend, Tommy and his wife Lucy's friend Ellen Wilson who they are trying to match up with Axel. Although Axel says he is trying to find something in his life, in reality he is currently running away from a specific issue from his past. It is when Axel's past may catch up with him that he starts to return to his shell and contemplates running away as was his routine, despite having friends for the first time in a long time. An incident with Charlie and Tommy may bring all their issues to a head.

Fred and Mick, two old friends, are on vacation in an elegant hotel at the foot of the Alps. Fred, a composer and conductor, is now retired. Mick, a film director, is still working. They look with curiosity and tenderness on their children's confused lives, Mick's enthusiastic young writers, and the other hotel guests. While Mick scrambles to finish the screenplay for what he imagines will be his last important film, Fred has no intention of resuming his musical career. But someone wants at all costs to hear him conduct again.

Five acts, linked by a common thread, that shape a story that digs into the deepest human emotions and themes of devoutness, told using the crudest hues of horror. Sacred and profane, merged with sin and madness, a tale that will haunt you long after you watch it.

After a break-up, a young woman decides to start a gallery where people can leave trinkets from past relationships.